Review – Jurassic World

Right, so this entry is slightly delayed, and the movie's already grossed half a billion dollars worldwide since it opened less than a week ago. But a review is definitely warranted, because not only do I consider this a momentous event, I also gave it a 10/10 rating on IMDB. Because I love it that much!

I realize there're similarities to the previous 3 Jurassic Park films - messing around with dinosaurs, well laid plans going awry, children in peril, mayhem and a significant body count. But every franchise has its own successful formula, so why change it when it clearly works?

Rest assured that I asked the same exasperating questions:

1) Why are you playing with dinosaur DNA - AGAIN?

2) Don't you know electric fences and high walls never work?

*spoiler alert*

*spoiler alert*

*spoiler alert*

Despite the obvious human stupidity, I really could care less because I'm mainly interested in the dinos. Perennial favourites like the T-Rex and velociraptors are back, with the addition of a hybrid - the Indominus Rex - which proves to be a nightmare to manage. As predicted, the monster escapes and various manoeuvres are utilized to recapture it, with disastrous results.

It all sounds very rote, but the execution itself is anything but. Believe me when I say that watching Jurassic World took me right back to 1993, when I was 18 and cowering in a dark theatre for 2 hours during Jurassic Park. The sequels never reached that peak, until now.

The screenwriters tweaked the plot here and there, my personal favourite being the 4 pseudo-domesticated raptors, which later become the humans' allies in their hunt for the I-Rex. Bred in captivity and trained from infancy by raptor wrangler, Owen, they're markedly different from their Jurassic Park counterparts yet retain key traits - exceptional intelligence, a capacity for bloodthirsty violence - that keep things grounded in reality. These are my favourites among the entire dinosaur population, so heed my advice when I tell you to stay alert during every raptor scene, so you can fully appreciate the complex relationship they share with Owen. It's definitely one of the highlights of the movie!

The action sequences are also terrific, especially since they now take place on a much larger scale - i.e. the park is officially open to the public, so we have 20,000 tasty morsels for the hungry creatures to feast on. The animatronic and visual effects are spectacular, though I'm also much more appreciative of how advanced these already were 2 decades ago in the original classic.

Many kudos to director Colin Trevorrow, who's helming his first blockbuster after catching Steven Spielberg's attention with his indie flick, Safety Not Guaranteed ( which I intend to watch one of these days when I have time ). In his interview with Empire magazine, Trevorrow explained that Spielberg selected him for this important task because of his ability to handle multiple genres ( adventure, comedy, romance ). In recent years, I've noticed a trend in Hollywood where directors of low-budget movies or those with relatively short CVs are given opportunities to take on massive projects, often based on a powerful studio chief / movie star / big shot producer's gut feeling. This change in mindset has proved to be a game changer in the film industry, particularly in the blockbuster franchise department. Prime examples include Mission: Impossible 3 ( JJ Abrams ), Iron Man ( Jon Favreau ) and Thor ( Kenneth Branagh ). And the trend has continued with Captain America: The Winter Soldier ( Anthony and Joe Russo ) and The Avengers ( Joss Whedon ).

These directors bring fresh ideas to the table and invigorate the blockbuster genre. Mr. Trevorrow, welcome to the club. :)

Last but not least, the cast. For me, this is perhaps the most vital ingredient in any action-adventure film, and the selection of actors here is perfect.
The 2 boys - Nick Robinson and Ty Simpkins - are extremely likable and convincing. I always marvel at how these talented children and teenagers manage to look so petrified when there isn't any real danger - it heightens the moviegoer's experience tremendously!

Bryce Dallas Howard, who excels at playing stern, standoffish women ( watch her bitchy character in 50-50 ) starts off effectively prissy then transforms into a true-blue heroine.

But this movie's biggest asset is none other than Chris Pratt. I'm not familiar with his work on TV and in earlier flicks ( when he was super chubby ), but came to know of him through The Lego Movie and Guardians of the Galaxy. I didn't enjoy Guardians very much, but Owen is an absolutely perfect fit for him! Lean and muscular, with a manly swagger and handling dinosaurs like a pro, Pratt finally wins my approval. He still can't match the intensity of Kevin Spacey, Michael Fassbender and Oscar Isaac, but I fully agree that he's the closest we'll ever get to Harrison Ford, so PLEASE have an Indiana Jones remake / reboot / sequel / prequel or what-have-you, and make sure he's the lead!

I predict a box office gross of $1 billion within the next fortnight, if not sooner.

A rousing revival of a beloved tale! Make sure you catch it. :)

The Big 4-0

I've been neglecting my blog this past year, but of course, this milestone event cannot be ignored. :)

I guess this means I've officially hit "middle age" status, but unlike many women out there who view this stage of their lives with trepidation, I welcome it with open arms and a happy heart.

Growing older has never been a major problem for me - well, aside from the aching bones and faltering stamina. Why should it be, when over the past 2 decades, so many of my dreams have come true, and my life has improved immeasurably?

Granted, it wasn't always a bed of roses, but with age comes ( hopefully ) a little bit of wisdom, and with wisdom comes understanding and acceptance. Not all of my dreams have been realized, and a few probably never will be, but others remain possibilities, and those are the ones I fully intend to pursue for as long as I'm able to.

Another yardstick I use for gauging my level of contentment is asking myself whether I'm happier now compared to 10 or 20 years ago. The answer is a resounding yes.

Although there've been betrayals and regrets along the way - people who were cruel, ungrateful and reckless; bad decisions, etc. - and my life took a number of sharp detours as a result, I learned many important lessons, gained valuable insight, stopped trusting so easily, and lost interest in vying for popularity votes.

I've also developed a knack for wreaking vengeance on those who wrong me. If I don't manage to do it myself, divine intervention usually does the honour, for which I am extremely grateful. :)

But enough about the bad stuff - there's so much more worth celebrating! Family, friends, good health, financial security, the opportunity to travel and meet great people everywhere.

My original plan was to return to France this year, after falling in love with the country back in 2010. But a series of events led me to a tour of Greece, and while the trip left me mentally and physically exhausted, it turned out to be one of the most entertaining and memorable experiences I've ever had, which is rather appropriate for my milestone birthday.

Another greatly anticipated journey awaits in October, when I return to the U.S. for a conference, exploring Boston before visiting New York for the 4th time in 7 years. Broadway musicals on my must-watch list include The King And I, Gigi and An American In Paris, and star-studded plays I intend to catch have Al Pacino, Clive Owen, Keira Knightley and Sam Rockwell as headliners.

And let's not forget momentous film events! From Jurassic World and Terminator: Genisys to Mission: Impossible 5 and Star Wars: The Force Awakens. I mean, STAR FREAKING WARS! Turning 40 couldn't get any sweeter than this! :D

Career-wise, I have mixed feelings. 10 years ago, choosing emergency medicine was a no-brainer and I was convinced that it was the best path for me. Now, there're days where my heart sinks before a shift, and I can't move for 2 days after working overnight. My temper is short, and I often wonder why the hell I subject myself to such torture.
The practice of emergency medicine has changed so drastically this past decade, in a good way because many of the implemented measures improve patient care and safety. On the flip side, however, the well-being of the senior ED physicians is being severely compromised. And in case the powers that be are uncomfortable with my views, I'm voicing them in a purely personal capacity so you're off the hook. :)

I've spoken to many medical friends from different specialties, and like me, they all lament the quality of medical students and young doctors these days. We do encounter a few who exceed expectations, but many lack even basic clinical knowledge and skills considered appropriate for their level, or worse, display lack of insight and/or arrogance when reprimanded or counselled ( i.e. the Gen Y syndrome ).
Coupled with the huge patient loads that swamp the ED, the constant overcrowding problem, plus an increasingly elderly and sickly population, holding every junior doctor's hand and worrying about a patient dying on us takes a major toll. My worst nightmare is losing my practising certificate because an underling's oversight drags me into the fiasco just because I happened to be on duty when the incident occurred.

I fully empathize with colleagues who've left for the private sector. I wish I could follow suit, but every time a frail old man or woman grips my hand and weeps, telling me s/he has no money, no family support, and that s/he wishes s/he could die, my anger and frustration with the system dissipates, and the reason I first chose this route becomes clear again.

It takes a person with a very unusual disposition to endure the suffering of a public hospital ED physician in this country. It is quite possibly the most thankless specialty in the medical profession, but we all persevere. We complain a lot, but we stay put. If only the big shots and patients understood this!

So the final question is: what comes next?
Considering the local population's average life span, this could be the halfway mark of my existence. Don't worry, I contemplated my own mortality years ago when my lawyer submitted my first will, and the risk of croaking hits me each time I get into my car, cross the road or board a plane. I'm not the type to think about "my legacy". I'm not an adrenaline junkie chasing the next high. I just do my best to stay healthy, take care of my parents, invest in relationships with good people, use money wisely, and never lose faith in God. Despite all the amazing places I've visited and the celebrities I've met, I never tire of simple pleasures - a delicious bowl of laksa, an excellent book, time spent with my best friend, laughing so hard I shed tears, marveling at the beauty of nature, finding peace in prayer and feeling God's presence beside me.

I am so grateful for everything, and will endeavour to stay grateful in the years to come.

A big thank you to everyone who sent birthday wishes. You made my year. :)
To another 4 awesome decades!

Daredevil ( Netflix )

This series has been on my radar since last year, and I am now digesting it at a leisurely pace.

3 episodes in, I'm still reserving judgment. It's garnered an average rating of 9.4/10 on, but I may wait till I finish the entire season before giving my verdict.

I'm no fan of comic book heroes ( my reading list leans more towards Archie, Calvin & Hobbes, The Far Side, Sherman's Lagoon, Tintin and Asterix ). Daredevil can't quite compare with the likes of Superman, Batman and Iron Man, but I was very excited after seeing the first trailer some time back - dark, bloody, foreboding.

I'm a huge fan of dark things. I mean, Dexter is my favourite TV series, and the character ( TV and books ) is my personal hero. My mind's wired that way. :)

Early impressions of Daredevil are a little mixed so far, but I give high marks to the casting choices, especially British actor Charlie Cox in the leading role. I mostly recognize him from a small part in Stardust and more recently, as a kind-hearted church choirmaster in The Theory Of Everything. After seeing him play such sweetly benign good guys, it was shocking to learn he'd be playing Daredevil. Even more shocking to see what he's capable of through the stylishly executed trailer.

I think he's doing a terrific job, and prefer him to Ben Affleck's version in the 2003 movie ( back when most superhero flicks were light-hearted and campy ). Cox has a boyish, almost angelic, face, projects a strong screen presence, and possesses just the right degree of gravitas without coming across as stiff or pretentious. According to Empire magazine, he went through a rigorous training programme to get that ripped physique - which I appreciate, thank you! - though I can't always tell if it's really him in those complicated fight scenes ( and there're lots of them ).

What I enjoy most, however, is his voice - deep, honey-smooth, oddly reassuring and menacing at the same time, depending on the situation. The same speech pattern can comfort a damsel or child in distress yet strike fear into the hearts of hard-core criminals. Reminder to self to pay more attention to the inflections used in future episodes, so I can figure out why the effects are so drastically different!

The other inspired casting choice is Vincent D'Onofrio, whose career I've followed for many years, since his days on Law & Order: Criminal Intent. I'm a huge fan of his work on that series, and was endlessly delighted by his entertaining portrayal of a super-intelligent NYPD detective with OCD tendencies and a scary ability to see through any facade.
He also has 2 of the most beautiful hands I've ever seen. :)

D'Onofrio doesn't make an appearance in Daredevil until the last 5 minutes of episode 3, just before the suspense threatens to overwhelm you. Rest assured that the buildup doesn't fall flat. D'Onofrio has a large, imposing frame, and emanates evil effortlessly. Even as an NYPD detective on Law & Order, he played a good guy but always made me edgy because he seemed to have a dark side which he kept hidden, but which you could sense if you looked closely enough.

Now that he's playing a real villain - so terrifying that a snitch violently commits suicide after revealing his identity to Daredevil - I can only imagine what twisted fun is in store.
( I repeat, my mind's wired that way. :))

Writing-wise, it doesn't come close to the exceptional standard of House Of Cards ( another Netflix product ). Episode 2 was especially draggy, featuring Daredevil's encounter with an ER nurse who treats his wounds ( I would've preferred an ER doctor, for selfish reasons haha ). The dialogue is clumsy and the acting forced. Could be the director's fault since episode 3 fares much better.

I'm hopeful that subsequent installments will improve. In the meantime, Cox and D'Onofrio are more than sufficient to keep me invested.

Preliminary Review – House Of Cards season 3

I'm just about to reach the halfway mark, but can't possibly wait till the end before writing something!




After finally usurping the American presidency in season 2, the latest chapter focuses on the new challenges Frank Underwood faces as the leader of the free world. However, it has not escaped my attention that episode 1 was entirely devoted to one of my favourite characters - Douglas Stamper, played by Michael Kelly. Originally a more secondary figure, Stamper is now given abundant screen time, following a shocking accident which left little doubt that he had perished. Imagine my delight when it was revealed that he not only survived, but made a remarkable recovery after major surgery and aggressive rehabilitation.

His political career, on the other hand, suffers a huge blow. Previously Frank's right hand man, he is now sidelined and unable to return to the White House despite multiple pleas and a display of unwavering loyalty. But even the most stalwart servant has his limits. By episode 5, Stamper makes his counter move, and I can't wait to see how it's going to turn out.

The new American President has his hands full as well, making executive decisions on a drone strike in the Middle East, hosting a state dinner and trying to outwit a crafty Russian leader. And if these weren't difficult enough, he fails to secure the Democratic party's support for a 2016 run. I believe that bombshell dropped in episode 2. The writers really aren't holding back this season!

While the plot twists are highly entertaining, Frank's responses are what make this series so irresistible. It's easy to label him a villain - and who would blame you? After all, he did become the President through Machiavellian scheming, orchestrating the death of a hapless senator ( a role that launched Corey Stoll's career ) and personally shoving a nosy reporter in front of a subway train ( a moment many of us will never forget ). And yet, I find myself sympathizing with Frank; understanding his desperation; rooting for him to defeat his opponents. Because rising to the top of any hierarchy takes gumption, intelligence and fearlessness. And why shouldn't someone possessing these qualities be in charge of the United States?

But even Frank occasionally crumbles under pressure, which is where his wife comes in. Claire - played to perfection by Robin Wright - has ambitions of her own and takes bold measures to establish herself in the international political arena. And like her husband, she encounters her share of dissension and manages to claw her way through. The marital dynamic between Frank and Claire is both simple and complex. They've settled into a comfortable routine through the years, never arguing about bedroom arrangements or the open nature of their relationship. The complexity lies in their collaborative effort in maintaining political sovereignty - discussing power plays and boosting the other's morale when necessary.

One memorable scene from an early episode depicts Frank curled up on the floor in the Oval Office, sobbing silently after failed attempts to secure campaign funds for a presidential run as an independent candidate. Claire discovers him in this sorry state, says nothing, then proceeds to please him sexually. Cut to the next morning, and Frank is a changed man, full of new resolve to beat the odds after almost giving up the night before. I have never encountered a more vivid illustration of the saying "Behind every great man is a great woman."

The lead characters are what viewers tune in for, but the secondary players are no less worthy of our attention. Russian President Petrov - a salute to Putin - features prominently, as does Solicitor General Heather Dunbar. Both are thorns in Frank's side and seriously undermine his authority. There's really no way to predict the final outcome of these conflicts. I look forward to seeing who emerges the victor. :)

My brain isn't working very well post-call, so I'll try to post a more coherent entry once I finish all 13 episodes. So far, season 3 is turning out to be everything I hoped for - smart, twisted and deliciously sarcastic. Bonuses come in the form of jazz musician Peter Cincotti, who plays himself at the state dinner ( I've met him twice and he's a real sweetheart ), and an amusing epiphany involving President Underwood, a magazine review of a video game, and a job offer to pen a propagandistic book. Made me think hard about my own writing skills - why hasn't anyone harnessed my potential for political agendas yet? Probably because they know I'll refuse. ;)

Film Review – Fifty Shades Of Grey

I finally saw this today, a week after its worldwide release. The hype hasn't abated, and neither have the negative / mixed reviews.

Yes, I've read books one and two of the trilogy ( I own the entire set but somehow lost momentum and didn't get to book three ) and am familiar with the storyline. I've also gone through a number of reviews written by well-known critics. Lacklustre word-of-mouth feedback from friends added to the mix, so my expectations weren't high as I entered the theatre.

So no-one is more surprised than I am about the strange yet undeniable outcome: I liked it. A lot. In fact, I rated it 9/10 on

First, kudos to Kelly Marcel for condensing 500 pages of lovesick ramblings into a palatable end-product. It's no secret that author EL James was originally inspired by Bella and Edward's romance in Twilight, and the novels mirror Stephenie Meyers' writing style, i.e. long, detailed descriptions of the main characters' state of mind, and numerous repetitions ad nauseam of certain physical attributes or behavioural quirks.

Those of us who had more than enough of Anastasia's "inner goddess" and Christian's "laters, baby", not to mention their endless email exchanges, are spared the torture since the first is completely omitted, the second reduced to two lines in one fleeting scene, and the third summarized succinctly, leaving out the childish teasing which made me flip pages like crazy.

So thankfully, I felt no pain ( apologies for the unintended pun ) sitting through 2 hours of relatively normal dialogue. And FYI, the trailers and clips on YouTube really do no justice to the movie. Whoever orchestrated those should be flogged ( pun fully intended :)).

Second, the two lead actors are excellent casting choices. I previously watched Dakota Johnson in a TV sitcom ( so forgettable I can't even recall the title ) and had major reservations about her ability to handle this role, especially after seeing those clips where she talks like a wooden puppet. In the film proper, she's actually pretty impressive. With each passing minute, I became increasingly convinced that innocent Ana wasn't the pushover everyone thought she would be. I found the novel version of Ana extremely annoying, but Johnson makes her likable and believable.

Then there's Jamie Dornan, the Irish actor who took over when first choice, Charlie Hunnam, backed out. Most are probably more familiar with his work on the American series, Once Upon A Time, as The Huntsman, but I know him as Paul Spector, a vicious serial rapist / killer on the excellent BBC crime drama, The Fall. When his name was announced for Fifty Shades, I had no doubt he would nail the role, and nail it he did.

The physical part is easy - Dornan used to model for Calvin Klein and is clearly very comfortable with his body in front of the camera. He's tall, lean and walks with a sexy swagger. Though known to favour a scruffy look with thick facial hair and flattened locks, he's given a full makeover here and looks jaw-droppingly gorgeous. He's 33 compared to Christian's 25 but easily passes for the latter, thanks to his flawless skin, thick hair and cheeky smile.

As for the "essence" of Christian, well, Dornan hits it right out of the ball park. That casual yet confident air, the simmering undercurrent of danger, the occasional flash of boyish mischief - even my mum ( who's in her 70s ) admitted defeat and succumbed. :)

There's a scene in the second half where Christian takes Ana gliding, then they have a quiet moment standing outside a hangar before he leaves. Dornan looked like a gazillion dollars as his face was illuminated by the setting sun. It's been a while since my breath was taken away like this. Nothing EL James has written can compare with such a vision. My effusive thanks to the cinematographer! :D

Third, the debate about the questionable message being conveyed. Pornography disguised as a love story; anti-feminist; an erosion of family values, etc. Look, I'm a devout Christian and lead a clean life, and Fifty Shades doesn't bother me one bit. I know what the real world is like: people like Christian Grey exist; this film is R-rated, not PG13 - what is the big deal? Sex-wise, the novels are nothing compared to some hard-core stuff I've read ( as a teenager, mind you ). I didn't turn into a nymphomaniac dominatrix. As for the movie scenes, some people complain that they're too tame, but I personally prefer them this way. They conveyed what was needed to propel the story and weren't gratuitous. As for viewers who are on the other side of the fence - i.e. think they're too graphic - then let me steer you towards Shame ( Michael Fassbender ) and Boogie Nights ( Mark Wahlberg ).

I give huge credit to director, Sam Taylor-Johnson, for drawing great performances from her leads. I watched Nowhere Boy, which featured an amazing turn from a very young soon-to-be-star Aaron Johnson ( also her future husband ), and congratulate her on doing yet another admirable job.

Last, the movie soundtrack, which features a score by Danny Elfman ( of all people ) and a list of really beautiful pop / R&B songs. I've already downloaded the digital album and intend to play it on repeat for the next few weeks. Fabulous compilation. Sets the mood for the best scenes and makes them even better. There's a classical companion as well, which I will also sample.

Fifty Shades Of Grey received a sad 4.1/10 overall rating on IMDB, but definitely deserves something at least double that. I won't deny that I was fully prepared to hate the movie ( I went only because of Dornan, whom I consider worthy of my time ), but ended up thoroughly enjoying myself. Yes, it's totally unrealistic, but bestselling romances often are, and this has been a well-known fact for decades. I, for one, love such diversions, and couldn't be happier about spending 2 hours of my Chinese New Year afternoon at the cineplex.

Just wondering if I'll be able to get a copy when the DVD comes out. It isn't going to pass our censorship board or customs inspection.

p.s. Still very thrilled about brushing past one of the movie's producers - i.e. Dana Brunetti - at last April's New York Museum of the Moving Image gala tribute for Kevin Spacey. Was too shy to greet him then, but if there's a next time, I'm not going to let the chance pass me by. :)

Film Review – Kingsman: The Secret Service

I always get a massive adrenaline rush when I watch a great movie, but the one I experienced with Kingsman: The Secret Service was truly off the chart! At the end of 2 hours, I was so high I practically floated home. IMDB rating given: 10/10.

I became a fan of director Matthew Vaughn's work after the incredibly violent yet superbly executed Kick-Ass, which turned lead Aaron Johnson into a Hollywood star ( interesting convoluted connection to Fifty Shades Of Grey, helmed by Johnson's wife, haha ). After that breakthrough came X-Men: First Class, which was much less aggressive, more successful at the box office but equally enjoyable in its own way.

If I'm not wrong, Vaughn passed on the opportunity to direct an X-Men sequel, opting instead to pour his heart and soul ( plus his own money ) into Kingsman. It's a ballsy move but one I'm very grateful for, because I can no longer imagine life without this magnificent film.

Rid your mind of James Bond. That man is a wimp compared to Harry Hart / Galahad, played impeccably by Colin Firth. In an interview with Empire magazine, Firth revealed that he has never received any offer to play the British spy. But after seeing him in Kingsman, no-one will ever comprehend why he didn't make the cut.

Firth, after all, is known for playing gentlemanly characters - Mr. Darcy, King George VI, you get the idea. I don't recall him demonstrating any on-screen violence, much less move beyond the pace of a saunter. So it's no wonder my jaw hit the ground when he started bashing, shooting and stabbing people with deadly skill and great relish. It was actually shocking, but only for a split second, before the pleasure centre in my brain - whatever that's called - was activated and everything started to get saturated in a rosy hue. Okay, I'm exaggerating. But he looked damn amazing slicing his opponents open!

Vaughn already demonstrated his affinity for extreme depictions of bloodshed in Kick-Ass ( utilizing the very young Hit Girl in a disturbing yet strangely artistic way ), and does more of the same in Kingsman. This time, however, there's no concern regarding age limits ( many of the main characters in Kick-Ass were kids ). And the choreography is freaking awesome! I'm trying to figure out how much of the stunt work was performed by the actors themselves, and it's to Vaughn's credit for (a) making it quite impossible to tell, and (b) making the actors look bloody fabulous doing them.

In this day of massive blockbusters and Marvel superhero franchises, Vaughn shows he's a force to be reckoned with, delivering scenes that are thrilling and almost balletic in nature. I notice a penchant for slow motion, which can sometimes irritate, but here, it only enhances his artistry.

Casting unknown Taron Egerton is a stroke of genius. But hey, Vaughn is known to have a sharp eye for young talent - i.e. Aaron Johnson. I admit to feeling extremely guilty - EXTREMELY - about finding Egerton incredibly hot. The only way I will ever eliminate these feelings is by having a bilateral oophorectomy. Short of that, I'll just have to wait for menopause. :)

Not since Aaron Johnson have I been this excited about a new young male star. Like Johnson, Egerton looks deceptively docile and one-dimensional on the surface, but later turns out to be ferocious and quite complex. But the money shots are definitely the ones with Egerton wielding deadly weapons. That final showdown at the villain's lair, with Eggsy the killing machine pulverizing an army of guards before an eye-popping confrontation with Gazelle ( aka the gal with giant knife blades for legs ), had me practically jumping out of my seat! Unbelievable stuff!

The source material - Mark Millar's comic book series - is key. Millar also wrote Kick-Ass and Wanted ( another super-violent tale adapted into a 2008 Hollywood film starring James McAvoy, Angelina Jolie and Morgan Freeman ), and after a while, you'll see the similarities. An underdog in the form of a downtrodden young man, a mentor who trains him to become a ruthless killer, and a memorable bad guy. In every one of these stories, the protagonist is vital, as is the actor chosen to play him. Egerton is as perfect a fit as anyone can hope for. Only 25 and already showing immense potential: handsome in a non-threatening way, rugged and athletic so he can handle the action without difficulty.

But aside from that, he needs the all-important X factor: charisma, charm, and something intangible which makes him stand out, even in the company of greats like Firth, Michael Caine and Samuel L. Jackson. Egerton achieves this effortlessly, even throwing in a flair for comedy. A true gem of a discovery. I look forward to his future projects with bated breath!

Plus a Kingsman sequel, of course. As many as possible. :)